海關碼頭位於紅毛城前方的河口港，曾為臺灣三大商港之一，黃金時代約在1865年至1905年之間。到了日治時代，因河道日漸淤淺，逐漸被基隆港取代。一百五十公尺的淺水碼頭、洋樓與兩座歷史悠久的港務倉庫是淡水港埠時代的見證物。

以排灣族語命名此區為「卡給尺夫岸」kakicevungan，意旨迎接之地，每日定時展演禮讚，在歌謠演唱的牽引下迎接遊客的到來。 座落於此地的文物陳列館，陳列的是以原住民族各族生活器物為展示主題，用以見證原住民族生活的智慧與生命的軌跡，視聽館則是透過影片概略介紹本園區及各族生活文化及過去、現在與未來。 工藝街係請原住民族團體展售各族群精緻手工藝品，使園區成為台灣地區原住民族工藝重要窗口。 八角樓特展館則是提供原住民族藝術主題個展的空間，讓無數的觀賞者與作者在這裡進行近距離的對話。 *禮讚時間上午10:00~10:10 *禮讚時間下午14:00~14:10 Welcome to Kakicevungan, which in Paiwan language means a place to salute. Every day, a blessing ritual is performed to welcome the arrival of our visitors. In this area, there is an Indigenous Cultural Museum that displays artifacts from the traditional life and wisdom of the indigenous peoples. In the Audio-Visual Room, a brief introduction of the park, the lifestyle and culture of the indigenous peoples in the past, present, and future are presented through short films. The Art & Craft Alley exhibits exquisite indigenous handicrafts and merchandise, while the Octagonal Exhibition Hall offers an exclusive space to display contemporary indigenous artworks. Salute Ritual: Morning 10:00-10:10 Afternoon 14:00-14:10

藝術家:磊勒丹‧巴瓦瓦隆 /排灣族 Artist: Reretan Pavavaljung /Paiwan 2019 自工業革命出現之後，蔓延全球的都市化過程，整整齊齊的重新規劃了我們的生活，極為細瑣繁複的分類模式，讓人類的時間、語言、世界觀變得越來越「精確」。 磊勒丹回想起小時候接受國家教育前的思考模式，總喜歡用天馬行空的幻想覆蓋每件事物，似乎這樣就可以改變些什麼，但隨著年齡增長，現實越來越清晰，幻想也漸漸褪色。 磊勒丹希望用孩童般純真的視野，尋找記憶中那有如萬花筒、被現代人歸屬於異域的顏色(或說想法)。模糊掉大自然、文明、種族...等等彼此間的交界，探索人類最原始的本能。 Since the emergence of the Industrial Revolution, the urbanization process that has spread across the world has neatly re-arranged our lives, making the worldview more and more "accurate". Before receiving national education, Reretan has always liked to cover everything with wild fantasies. However, as he grew older, his fantasies were gradually replaced by reality . In his artwork, Reretan wishes to find that forgotten kaleidoscope, that has been categorized as foreign, through the eyes of a child so pure it blurs the boundaries between nature, civilization, races, etc., and explore the most primitive instincts of human beings.

彩虹橋最大的特色在於外觀有著排灣族、魯凱族的傳統配飾，加上這座橋是以布農族語「Hanivalval」命名，「Hanivalval」是彩虹之意，象徵聯繫感情之道。 The special feature of the Rainbow Bridge is that the exterior has traditional accessories of the Paiwan and Rukai people. In addition, the bridge is named after the Bunun word for rainbow, "Hanivalval", which symbolizes connection and relationship.

"園區分為五大區域，每一區皆設有候車亭提供遊客免費乘坐遊園車至各區景點體驗、遊覽、觀賞表演等。為響應政府綠能政策，改善園內空氣品質，園區新進電動無障礙遊園車，並結合原住民族藝術家彩繪，讓大家在感受舒適、便利的同時更能欣賞到原住民族人文藝術的創作。 The park is divided into five areas. In each area there is a bus shelter, providing visitors with free rides to the scenic spots in each area. In response to the government's green energy policy and to improve the air quality in the park, the park has introduced electric vehicles, combined with paintings by indigenous artists. Not only could visitors enjoy the beautiful indigenous art, the vehicles provide convenient means to get around the park. "

"藝術家:安聖惠 /魯凱族 Artist: Eleng Luluan /Rukai 2020 《祕密花園》佇立在進入園區最明顯的入口處，藝術家安聖惠表示，聽聞文化園區在建園以前，曾是紫斑蝶離開越冬棲地北返飛行的蝶道，每年11月到隔年3月上萬隻的紫斑蝶依循祖先的記憶，飛往茂林蝶幽谷群聚度冬。透過回憶紫斑蝶飛行途徑，以及蝴蝶在排灣與魯凱文化特殊意涵下，想傳達人類與大自然的「共生」關係，在交互作用之下，影響原住民的思維與大自然生態的規律，創造出的文化象徵與意義。 ""Secret Garden"" stands at the most obvious entrance in the park, where it used to be a migration path for the euploea butterflies to fly north, leaving their wintering habitat before the cultural park was constructed. Every November to March, millions of euploea butterflies follow the memory of their ancestors, and fly to the Maolin Eco Park for the winter. By recalling the flight path of the butterfly and the special connotation of the butterfly in Paiwan and Rukai culture, the artist wanted to convey the ""symbiotic"" relationship between human beings and nature. "